Destabilizing Milton challenges the widely accepted view of Milton as a poet of absolute, unquestioning certainty. In "Paradise Lost," Milton confronts the failure of the Revolution by creating a poem that refuses to grant the reader any interpretive stability or certainty. While "Paradise Regained" and "Samson Agonistes" reflect Milton's deep ambivalences after the collapse of the Republic. Far from confirming his earlier ideals, in his later poetry, Milton subjects his culture's most cherished beliefs, such as the goodness of God, to withering scrutiny, while refusing the comfort of orthodox answers.
Destablizing Milton challenges the conventional notion of John Milton as a poet of absolute, unquestioned certainty, and proposes that in his late poetry, Milton puts into question his earlier positions on God, gender, and politics without providing certain answers.
| Acknowledgments |
|
ix | |
| Introduction: "Normal" Interpretation and the Protocols of Milton Criticism: Or, How the Interpretation of Milton Really Works |
|
1 | (24) |
| 1. "Warring Chains of Signifiers": Metaphoric Ambivalence and the Politics of Paradise Lost |
|
25 | (18) |
| 2. Paradise Lost, the Miltonic "Or," and the Poetics of Incertitude |
|
43 | (18) |
| 3. "England a Free Nation": Milton's Prose and the Ancient Constitution |
|
61 | (22) |
| 4. "New Laws, New Counsels": The Problem of Politics in Paradise Lost |
|
83 | (24) |
| 5. Incertitude, Authority, and Milton's God |
|
107 | (20) |
| 6. "The More to Draw His Love": Paradise Lost and the Critique of Misogyny |
|
127 | (28) |
| 7. Paradise Regained, Samson Agonistes, and the Conclusion of Milton's Career |
|
155 | (22) |
| Notes |
|
177 | (48) |
| Index |
|
225 | |
Peter C. Herman is Professor of English and Comparative Literature, San Diego State University.
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